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New Romantic Images Biography

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Boy George is a British singer, known for his flamboyant and androgynous image, who once fronted the band Culture Club
Boy George's band Culture Club released their debut album, Kissing To Be Clever, in 1982, and their third single, "Do You Really Want To Hurt Me?" was a huge hit, reaching the No. 1 spot in 16 different countries. The band found quick success, but George's drug habit started to show in 1985. Although he has released solo albums, George's personal life has been the focus more than his music.

Singer Boy George was born George Alan O'Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O'Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the "pink sheep" of the family.

To stand out in the male-dominated household, George created his own image, which he came to depend on. "It didn't bother me to walk down the street and to be stared at. I loved it," he later reminisced.
George didn't exactly conform to the typical school student archetype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn't long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.
Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Clu
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn't long before George was giving interviews based purely on his appearance.
George's outrageous style caught the attention of Malcolm McLaren, the manager of the infamous punk group Sex Pistols. McLaren was also managing a group called Bow Wow Wow, which was fronted by Burmese 16-year-old Annabella Lwin. McLaren felt he needed someone to give Lwin a bit more stage and vocal presence, so he arranged for George to perform with the group.

George made a few appearances to much audience acclaim, and inevitable friction between the two big personalities began to surface. However George, by now, felt inspired to form his own group. The answer came in the form of The Sex Gang Children. Bassist Mikey Craig and drummer Jon Moss were next to join the group, followed by Roy Hay. The group soon abandoned their original name, instead settling on Culture Club. The name was a joke in reference to the group members' various backgrounds: George was Irish, Craig was Jamaican and British, Moss was Jewish and Hay was an Englishman.

RASSOULI is a visionary artist, known for his unique style of Fusionart. He was born in Isfahan, Iran and migrated to the United States as a young man. He is currently residing in Southern California.
Guided by his Sufi uncle, Rassouli grew up hearing and reading mystical poetry while studying under painting masters, and eagerly searching volumes of artistic works of varied traditions and styles. He roamed the art museums, won awards for his paintings, and traveled in classical Europe as a teenager. He came to the United States in 1963 to have the freedom to explore his artistic drive. Here, he studied fine arts and architecture at the University of New Mexico and environmental psychology at the University of Southern California.
Although he practiced architecture for a time, painting ultimately became his overpowering passion and his profession. Through the years, Rassouli has created hundreds of canvases, in his unique style of Fusionart, which invite the viewer into the creative power of the heart and the wonder and beauty of the soul. His artistic expressions are radiant with a life-giving and captivating energy that arouse the imagination.

The conceptual approach of Fusionart has been developing in Rassouli since early childhood, which is evident in the expansive scope and variety of his creative work. He continues to cultivate new approaches to bring fresh insight to his creations and to develop new ways to share the creative process with others.
Rassouli paints with rags, with his fingers, and uses his favorite brushes when he feels moved to enhance what is happening on the canvas. He begins with a canvas primed with black paint and brings the light of vision to it developing a relationship with the appearing images as he creates.
Within the past thirty years, He has exhibited widely in Europe, North America and Asia and has created several major murals.
Rassouli has written several books, and he shares his excitement for the creative process wherever he is. He guides others in retreats, shares his approach to creativity through public talks, in radio interviews, in videos and films, but nowhere does he witness to his creativity more magically than through his paintings.

Is there anything new to be said about the lives of the Romantic poets? I'm not sure, and doubtless some scholars will complain loudly that there is nothing original or revelatory to be found in Daisy Hay's Young Romantics. But to do so is to miss the point. For the non-scholar, Hay's group biography of the Shelleys, Byron and their circle is complete bliss: a feat of concision and clear thinking that will remind you why, all those years ago, when you were young and foolish, you were so thrilled by these writers, by their unruly credos and marvellous verse-making, by their frilled shirts and luxuriant hair. Truly, it's delicious.

For the reader, her strategy is a little like being at a good party: should you grow weary of one guest, over his or her shoulder someone more interesting will always be coming into view. Even better, its pace and sweep induces you to investigate nooks and crannies into which Hay is able to shine a torch only briefly, to take down from your shelves books you haven't touched in two decades. In my own case, this year's holiday reading is going to look mighty strange by the pool.

It is Hay's contention – though it is somewhat counter-intuitive, as she readily admits – that Shelley, Keats and Byron were in some sense built by their friendships. Far from being the solitaries of popular mythology, their associations with one another, sometimes ecstatically happy, sometimes painfully fraught, were vitally important, to their daily lives and to their work.

So she weaves their stories into a single narrative, a long and incestuous tale that begins with Leigh Hunt, the journalist and radical, holding court in his prison cell (he was incarcerated for two years in Surrey jail, Horsemonger Lane, for libelling the Prince Regent) and ends with the premature passing of the generation he so generously championed in his journals (Hunt, of course, outlived them all). This approach is challenging, and occasionally throws an odd emphasis on things. The death of Keats, for instance, is dispatched in a single paragraph, and long before the book's end. But in the case of more minor characters, and particularly the women, it works a treat; it is a kind of levelling, one that restores them to their rightful place at the table.

If the book has a presiding spirit, it is, perhaps, Mary Wollstonecraft, for all that she is already cold in her grave when Young Romantics begins. Her terrifying (for the times) unconventionality, her feminism, and her suicidal impulses lived on in both her daughters, Fanny Imlay and Mary Godwin (later Mary Shelley), and, more strikingly, in their stepsister, Claire Clairmont (Claire's mother married Wollstonecraft's widower, William Godwin, after Mary's early death); and it is one of these three, Claire, whose near constant presence in the narrative comes to seem to the reader most significant. Sometimes, Claire appears to be mad, even monstrous; you feel, as Mary often did, that you would like to escape her neediness and her strange reinventions. But at others, she is sympathetic, being more sinned against than sinning, yet another casual victim of the Shelleys, whose self-absorption could be devastating. Either way, without her, the story would have been very different.

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New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos

New Romantic Images Romantic Images With Quotes Of Love Of Couples With For Facebook Timeline Of Girlfriend Of Lovers Of Hearts HD Photos