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Stock Images Biography

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dam Jahiel, has had a varied professional career. He has worked extensively for the motion picture industry, working on projects as varied as Out of Africa to HBO comedy specials. But, Jahiel is also drawn to adventure projects, most notably as the photographer for the landmark French-American 1987 Titanic expedition. His work has appeared in most major U.S. publications, including Time, Newsweek, The New York Times, National Geographic Society and others. Jahiel’s work also has appeared in literally dozens of books, including the acclaimed “The Day in a Life of” series.

For years, Jahiel has been photographing the cowboys of the Great Basin, perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the last authentic American subcultures, one that is disappearing at a rapid rate. Cowboying as an art form is almost obsolete; still, the cowboys hang on, with a ferocious tenacity. Respect there doesn’t come from the trappings of modern life. Talent, knowledge and skill are valued above all else. And the cowboy tradition has its roots in the oldest of human conflicts: man against nature and man against himself.
Jahiel tries to reflect those sentiments in these photographs. These cowboys aren’t “remade” into a Hollywood image. Instead, they are “found” images, in keeping with the spirit of authenticity that permeates the best keepers of this tradition.

"Jahiel is one of the select few photographers who possess the sensitivity necessary to record this aspect of Americana. They succeed because their total involvement and immersion in the culture results in images that penetrate the glossy superficiality so pervasive in the popular press."
If this truly be the death knell, then Jahiel's Last Cowboy project is the most eloquent of elegies."
These dramatic photographs recall the great historic paintings of artists such as Frederic Remington and Charles Russell."

"Jahiel catches the play of light, the rush and texture of the clouds, the blurry poetry of dust, but most of all, the precise steady energies and weariness of the animals and the cowboys. Though the subject is familiar, the invigorating art of these photos cuts right through all the clichés with intoxicating directness."
"Jahiel has unwittingly become America’s finest documentarian of the disappearing cowboy."
In a nutshell, Adam sees cowboy life whereas a lot of other photographers see calendars, other photographers are pursuing the myth and not the reality
April 12, 1998
"Jahiel's photographs speak, softly, but with certainty. They touch us by the intriguing blend of tone, gesture, expression, and light. Time after time, his photos succeed because they reach our emotions first and then our intellect."

WELCOME TO MY WEBSITE OF IMAGES OF WILDLIFE, GRAND LANDSCAPES, AND INTIMATE VIEWS OF THE NATURAL WORLD.
I am a full time professional photographer specializing in wildlife, landscape and nature with over 65,000 6x7, 6x4.5 and 35mm film and digital images. My wildlife image files include extensive coverage of many venomous snake species, African lions, Siberian and Bengal tigers, various other wild cats, wolves, raptors, songbirds, dragonflies, damselflies and many other insect, reptile, bird and mammal species. My landscape and intimate scenic image files include coverage of the western and southwestern U.S., northern Canada and Venezuela.
All of the images on this site are key word searchable, by location for landscape subjects, and by common and Latin names and location for wildlife subjects.
Rights Managed image licensing rights may be purchased directly from this site using the Buy Rights Image License Button on my Image Display Page, with payment via PayPal.
Rights Managed image licensing may also be negotiated directly by using my Instant Sale link. Please use my nine digit image ID number in your correspondence.
I have been capturing evocative images of the natural world for over 25 years, producing the highest quality images for publication. My images often capture unique behavioral characteristics of wildlife or special lighting or weather conditions of landscapes. I answer all image license requests promptly and professionally. Submissions are tightly edited and always request specific. I would appreciate the opportunity to work with you on your image needs.

Publications
My images have appeared in the following publications:
Magazines: National Geographic Adventure, Kids, Explorer and Travel; National Wildlife's Ranger Rick and Your Big Backyard; Nature's Best; Outdoor Photographer; Birds&Blooms; BirdWatching; Living Bird; Natural History and Sojourns
Calendars/Notecards: Audubon; Barnes & Noble; COMDA; Inner Reflections; National Wildlife; Northword Press; Palm Press; PlanetZoo; Pomegranate Communications; Sierra; World Wildlife Fund
Books: National Geographic; Capstone; Farcountry Press; Grand Canyon Association; Prentice Hall; Voyageurs' Press; Cowles Creative; Holt Reinhart; Houghton Mifflin; Prentice Hall; Trident Press; Rio Nuevo Publications; Tyndale House
Photographic Awards
Include numerous first place and honorable mention awards in BBC Wildlife Photographer of the Year, National Wildlife and Nature's Best photo contests.
Organizations
I am a member of the American Society of Media Photographers and
a charter member of The North American Nature Photographers Association.
I am also privileged to be included in the The Best Top Photographers a select group of nature and editorial photographers found on Google+. You can also follow my contributions to this group on my Google+ site.
Stock Agencies
I am represented by Animals Animals/Earth Scenes, Jaynes Gallery, Nature Picture Library, World Panorama and Photo 24 stock agencies.
Recent Books and Publications
I am the featured photographer in A Texas Wildlife Portfolio from FarCountry Press. I just released my latest coffee table book of wildlife images Sanctuary. I also write photo/text articles for magazines. For an example please see my landscape photography article in the April, 2014 issue of Outdoor Photographer.
Websites
I have over 8,000 keyword searchable stock images available through my AGPIX Website. I also have approximately 6,800 keyword searchable stock images on this e-commerce website.
Fine Art Prints
Approximately 550 of my images are available as fine art prints on my Fine Art Prints web site. You can also click on the Fine Art Prints tab on my Homepage of this web site to view the details of my Fine Art Print offerings and see a slideshow of some of the prints available.
Cannot find the images you need? Please Contact Me. I have extensive files and would be happy to assist you.
Thank you very much for visiting.
A photographer who specializes in taking pictures of people, Michael Melford knows that getting someone to relax and feel comfortable in front of his camera is often a challenge. He has also found that digital cameras help him better interact with all sorts of subjects.

The reason is the instant image displayed on the LCD monitor. Photographers can take pictures and show them to their subjects, who can quickly see that they're not being embarrassed or anything like that. They begin to trust the photographers.

"Strangers who don't know you can be especially reluctant to have their photographs taken," Melford says. "They might let you take one photo if you're persuasive, but then they're done. Now, you take a picture, they see the photo on the back of the camera, and they're ready to do more. They gain confidence in you and get into the process. It becomes a great way of engaging subjects as you photograph them."

Another big advantage of digital is the ability to see right away that you've got the shot. This can be great for average people who aren't used to being photographed. They get tired and impatient with photographers who take a lot time shooting extra images for protection, something one often had to do when shooting film.

"With film, you had to meter, shoot Polaroids, and bracket like crazy to get the shot," says Melford. "Now you know from the first shot if everything is working. This is especially helpful when you're shooting strobes and mixing light sources. After just one photo, you know what needs to be changed. You do it, and you're done. It's a huge time and stress saver."

Michael Melford has been working with digital cameras for several years, but the first big professional project that he shot totally with digital was a story on San Diego for National Geographic Traveler in the early 2000s. Since working with a medium-format camera was a big part of his professional work, he shot this project with a Contax 645 and a Kodak digital back. Now his digital work is done mainly with a Canon EOS 1Ds. "I shoot a lot of wide-angle views, so having the full-frame 35mm-size sensor of the 1Ds is important to me," he explains. Most other digital SLRs have smaller sensor sizes so the wide-angle is cropped; you don't get the whole coverage of the lens.

He really got started with the digital process when he took a Photoshop workshop about ten years ago. Still, Melford does not consider himself a computer expert. "It's taken me years to get comfortable with the computer," he says. He adds that he relies on a computer guru, Don Landwherle, for a lot of the technical details.
For Melford, the biggest challenges to digital photography are editing and organizing the photos on the computer, and learning to make the digital images look the way he expects them to look based on this experience with film. "In some ways, digital images are better than film because they have more latitude for tonal details," he says. "But when the photo ends up in a printed piece, I don't always get the results I expect. I find the whole process of printing is hard...it's a learning process for all of us."

Overall, though, Melford finds the technology exciting. He says it makes him feel as if he's discovered photography all over again. "I feel like a kid in a candy store, with new stuff every day," he adds. "And the quality is amazing. The photography is always key and the eye of the photographer's vision is still very important. But I think my wife is getting annoyed with how much time I spend in front of the computer.